All array systems are designed
for univalence |
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2 Channels
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Stereophonic dual microphone arrays covering only the
front sound stage.
The various combinations of distance and angle bewteween the microphones is shown in graphical form on the standard Stereophonic Recording Angle diagrams. |
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3 Channels
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~ Triphony ~
(not yet available) |
Microphone arrays using three microphones to cover
the front sound stage. For initial experimentaion with three channel microphone
arrays, the Front Triplet configuration |
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4 Channels
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Microphone arrays using four microphones to cover the front sound
stage. The center channel of the multichannel configuration is not used,
and Critical Linking between the Lateral Segment Coverageand the rear
or Back Segment Coverage is not taken into account. |
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Surround Sound |
Microphone arrays using four microphones to cover the complete surround sound field. Reproduction can be either the quadraphonic loudspeaker configuration or the L, R, Ls and Rs of the multichannel loudspeaker configuration | ||
5 Channels
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Arrays using 5 microphones to cover only the front sound stage
- Critical Linking between the |
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Microphones arrays using 5 microphones to cover the complete surround sound field. |
BACKTRACKS &
CROSSTRACKS
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Microphone Array Design
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